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technology of lighting


In addition to the basic lighting layers, a variety of techniques can be used to achieve specific lighting effects. These include downlighting (downlights), wall washing/wall wiping, cornice lighting, upward lighting, silhouettes, and flashes.

Downward lighting: Downward lighting is a popular technique that places light below a light source, which can be achieved by a variety of lighting fixtures, from downlights to recessed light shields. In visually critical spaces, light can be soft and diffuse for visual comfort, or strong and non-diffuse, creating a visually stimulating atmosphere.

Downward lighting that is unbalanced with other lights can create unwanted shadows on the surface. For example, downlights mounted near walls can produce tall, thin fan-shapes, which are often undesirable.

Wall washing and wall plausing: Wall washing refers to the uniform grading of light from top to bottom to illuminate the walls. This "washing" eliminates shadows, resulting in a smooth, visually flat appearance. Therefore, it is best suited for flat walls. The light sources must be kept at a sufficient distance from the wall and close enough to each other to ensure a good wall cleaning.

Wall wiping is similar to wall washing, but the light source is close to the wall, which accentuates the shadows and thus the texture. Therefore, it is best suited for textured walls such as brick and stone. Lights can be placed at different distances from the wall, varying angles to create different amounts of shadows.

Cornice lighting: Cornice lighting is mainly to illuminate the perimeter wall recesses. This is to accentuate the architectural features by shining light onto the ceiling, which reflects into the space as indirect ambient light.

Upward illumination: Upward illumination is the placement of light above a light source. It is not very popular, but it may be effective in certain occasions, such as table candlelight, highlighting buildings, plants, and trees.

Silhouette: Silhouette mainly refers to backlighting an object without or reducing frontal lighting, presenting an object in the form of a silhouette. The backlight can be intense (to make the object clear) or diffuse. This technique is often used to decorate art, brands, or architecture for aesthetic purposes.

Glitter: This is a tiny point of glare created to create visual interest and a sense of elegance. For example, some chandeliers and glitter on restaurant silverware.

The private office below features four different designs for 50-foot candle task lighting, including panel lights, parabolic lights, downlights, and linear indirect lighting. These types of lighting present different effects in terms of brightness, aesthetics, spatial perception and visual comfort.

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The basics of lighting

It's often said that lighting is both an art and a project, but in summary, the art of design is made up of a set of guiding principles. By understanding these principles, electrical distributors demonstrate their expertise and differentiate themselves. In this way, when they communicate with the owner, they can start with the customer's needs (application scenarios) and end with customer satisfaction (equipment sales).


Layering of light

In general, the layering of spatial lighting includes "General/Ambient Lighting", "Task/Focus Lighting", and "Accent Lighting".


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